To us, chairs are not difficult, but they certainly are intriguing. So are cabinets, tables and desks. Whether made by Chippendale, Philip Johnson or an anonymous carver working in the Middle Ages, every object designed or made by human hands has a story to tell. At Period Furniture Conservation, we help objects tell their stories clearly and for generations to come.
Our work sustains the structural stability, historical faithfulness and aesthetic appeal of furniture and objects. Our approach combines ethical practice, modern scientific methods and old-world craftsmanship to preserve the value, integrity and useful life of furniture or object. Yuri Yanchyshyn, a Fulbright Specialist, is the Principal and Senior conservator.
Museums, auction houses, collectors, fine arts advisors, dealers, designers, architects and other conservators rely on our expertise to conserve and maintain objects ranging from the 14th through the 21st centuries. Confidentiality is assured. Contact us for a consultation - onsite or in our studio.
Our work sustains the structural stability, historical faithfulness and aesthetic appeal of furniture and objects. Our approach combines ethical practice, modern scientific methods and old-world craftsmanship to preserve the value, integrity and useful life of furniture or object. Yuri Yanchyshyn, a Fulbright Specialist, is the Principal and Senior conservator.
Museums, auction houses, collectors, fine arts advisors, dealers, designers, architects and other conservators rely on our expertise to conserve and maintain objects ranging from the 14th through the 21st centuries. Confidentiality is assured. Contact us for a consultation - onsite or in our studio.
Services
Period Furniture Conservation can help you keep the furniture and wooden objects in your care stable, historically faithful and esthetically presentable, whether you own them or have curatorial responsibility for them.
There are a number of services we can offer.
Here's a sampling, by category.
Utilizing argon, an inert gas, controlled atmosphere treatment, or anoxic fumigation as it was previously known, is a proven method of removing biopredation.
It is safe and non-toxic to humans, leaves no residue, and is harmless to most art objects.
There are a number of services we can offer.
Here's a sampling, by category.
Utilizing argon, an inert gas, controlled atmosphere treatment, or anoxic fumigation as it was previously known, is a proven method of removing biopredation.
It is safe and non-toxic to humans, leaves no residue, and is harmless to most art objects.
This memorial site was created by Yuri Yanchyshyn, furniture conservator, to honor Ted Dell and his work.
Reminiscences are welcome and are found after the obiturary below.
Please contact Yuri at yuri@periodfurnitureconservation.com with your contribution.
He was 81.
A highly respected expert on 18th-century French furniture and decorative arts, he was an advisor to John Paul Getty in the formation of his collection, as well as to other museums and private collections.
He was also the author of the French furniture sections of the catalog collections of the Frick Collection and Detroit Institute of the Arts Dodge Collection.
Reminiscences are welcome and are found after the obiturary below.
Please contact Yuri at yuri@periodfurnitureconservation.com with your contribution.
He was 81.
A highly respected expert on 18th-century French furniture and decorative arts, he was an advisor to John Paul Getty in the formation of his collection, as well as to other museums and private collections.
He was also the author of the French furniture sections of the catalog collections of the Frick Collection and Detroit Institute of the Arts Dodge Collection.
Period Furniture Conservation solves even complex furniture conservation problems creatively and in a way that allows each example to retain as much of its original integrity as possible.
When a piece of furniture leaves our studio, it will look as it did when it first left the original artisan's shop - or as close to the original as the years - and ethics- will allow.
This preserves - or even restores - the value of your piece of furniture and ensures that it will continue to evoke interest and admiration for generations to come.
When a piece of furniture leaves our studio, it will look as it did when it first left the original artisan's shop - or as close to the original as the years - and ethics- will allow.
This preserves - or even restores - the value of your piece of furniture and ensures that it will continue to evoke interest and admiration for generations to come.
Period Furniture Conservation is fortunate in the objects that come under our care, and is equally fortunate in the people who entrust them to us.
Our broad client base includes: private collectors; fine arts advisors and consultants; dealers, designers and architects; museums and publicly-accessible collections as well as other conservators.
Among the people and institutions that have relied on Period Furniture Conservation are the following :.
Our broad client base includes: private collectors; fine arts advisors and consultants; dealers, designers and architects; museums and publicly-accessible collections as well as other conservators.
Among the people and institutions that have relied on Period Furniture Conservation are the following :.
While I was teaching overseas on a Fulbright Award last October, my client, Kyra Hicks, informed me that a sculpture her family had owned (and that I knew well) - Elizabeth Catlett's "Seated Woman" - had set a new auction record for the artist.
I had treated that sculpture earlier in the year.
Kyra is a granddaughter of the original owners, and the purchaser was the St. Louis Museum.
This event and my experience treating the sculpture have prompted me to share some thoughts on collecting and living with works of art and the challenges conservators face in preserving these works for future generations.
I had treated that sculpture earlier in the year.
Kyra is a granddaughter of the original owners, and the purchaser was the St. Louis Museum.
This event and my experience treating the sculpture have prompted me to share some thoughts on collecting and living with works of art and the challenges conservators face in preserving these works for future generations.
Reviews
Be the first to review Period Furniture Conservation.
Write a Review
